Sheep
farming and fishing have long been replaced by tourism as a means of
livelihood on Texel, a Dutch island in the Wadden Sea. What were once
important ways of making a living subsist today between picturesque
exploitation and subsidised preservation, like all other places where
holiday-makers spell a stream of revenue for local coffers. It can thus
be seen as a positive exception to the rule when a touristically
motivated project takes a stance against this pseudo-idyll. The
respective holiday home with ample windows and truncated hip roof by
Benthem Crouwel Architects quotes local features without any attempt at
ingratiation, offering a facade that reflects and laconically elevates
the genius loci while providing multiple views onto the landscape.
Architect: Benthem Crouwel Architects, Amsterdam
Location: Texel, The Netherlands
Architect: Benthem Crouwel Architects, Amsterdam
Location: Texel, The Netherlands
Many
sheep barns – the so-called boeten typical of the Wadden Sea islands –
are still to be found on Texel. Consisting of solitary small and
practically windowless buildings in the open landscape, located far from
the farms they belong to, they have a truncated hip roof with the
slanting side facing southwest, the most common direction of the wind.
The entrance, on the other hand, is situated on the flat, northeast side
of the building, out of the wind.
Built
in the timber framing approach and provided a partially hipped roof,
the holiday home recalls local building traditions but couples them with
contemporary standards. Floor-to-ceiling glazing on the ground floor
and windows in the roof provide scenic views of the unspoilt landscape,
merging inside and outside in contrast to the building type on which the
holiday home is based. The combined kitchen and living room enables an
outlook onto the open landscape, whereas the dunes and the sea are
visible from the gallery, and the open sky can be seen from the bedroom.
The
simple layout offers a living area, bedroom and sanitary facilities on
the ground floor and work areas and additional places to sleep up on the
gallery; storage rooms are situated in the basement. Interior finishes
and details are plain and reticent in character and thus seem to direct
attention to the landscape all the more.
The
facades and roof merge seamlessly, forming a monolithic unit out of the
timber frame structure covered in tar paper. Red, green and blue
fishing nets are stretched over the outer surfaces, whereby the colours
on the southeast and northwest sides reflect the interior spatial
organisation of the house. Black netting forms a second layer over this
colourful mesh and in conjunction with the tar paper lends cohesion to
the individual areas of the facade.
Despite
the simplicity of the construction means the architects have achieved a
precise and functional building complete with cosy indoor spaces.
Details, as seen in the interior tiling and the netting on the gallery
balustrade, are consistent with the design concept. The netting motif
presents itself as the keynote design theme, lending the building a
down-to-earth and modest touch while integrating it into the landscape
context in terms of colour and theme.
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